Artist Collection
Stickman Art Gallery
Explore available artwork, editions and collectible pieces by Stickman.
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Theory of Mixology - Einstein
-Giclee On Canvas Artist Proof Hand Embellished
30 X 50
You'll Stumble In My Footsteps - Depeche Mode
-Giclee On Canvas Artist Proof Hand Embellished
40" x 30"
Where Do We Go Now - Slash
-Giclee On Canvas Artist Proof Hand Embellished
30" x 40"
What If You Knew Her? - Neil Young
-Giclee On Canvas Artist Proof Hand Embellished
60" x 30"
We Unleashed The Lion - Eddie Vedder (Pearl Jam)
-Giclee On Canvas Artist Proof Hand Embellished
30" x 40"
We Unleashed The Lion - Eddie Vedder (Pearl Jam)
Giclee On Canvas
24" x 32"
We Unleashed The Lion - Eddie Vedder (Pearl Jam)
Giclee On Canvas
18" x 24"
We May Still Have Time, We May Still Get By - Ann And Nancy Wilson - (Heart)
-Giclee On Canvas Artist Proof Hand Embellished
30" x 30"
We May Still Have Time, We May Still Get By - Ann And Nancy Wilson - (Heart)
Giclee On Canvas
24" x 24"
We May Still Have Time, We May Still Get By - Ann And Nancy Wilson - (Heart)
Giclee On Canvas
18" x 18"
We Had it With Your Discipline - Elton John
-Giclee On Canvas Artist Proof Hand Embellished
30" x 40"
Vampire Lair - Rainbow Bar and Grill
-Giclee On Canvas Artist Proof Hand Embellished
30" x 45"
Twenty Twenty Twenty Four Hours To Go - Joey Ramone (The Ramones)
-Giclee On Canvas Artist Proof Hand Embellished
30" x 72"
Twenty Twenty Twenty Four Hours To Go - Joey Ramone (The Ramones)
Giclee On Canvas
24" x 56"
Twenty Twenty Twenty Four Hours To Go - Joey Ramone (The Ramones)
Giclee On Canvas
18" x 43"
Trying to Figure it Out - Bass Player Tribute
-Giclee On Canvas Artist Proof Hand Embellished
30" x 45"
Tramps Like Us - Bruce Springsteen (The E Street Band)
-Giclee On Canvas Artist Proof Hand Embellished
60" x 30"
Tramps Like Us - Bruce Springsteen (The E Street Band)
Giclee On Canvas
48" x 24"
Tramps Like Us - Bruce Springsteen (The E Street Band)
Giclee On Canvas
36" x 18"
Stoned Immaculate - Jim Morrison (The Doors)
-Giclee On Canvas Artist Proof Hand Embellished
30" x 60"
Satchmo - Louis Armstrong
-Giclee On Canvas Artist Proof Hand Embellished
60" x 30"
Same Old Trip - Alice in Chains (Layne Staley)
-Giclee On Canvas Artist Proof Hand Embellished
30" x 40"
Our Shadows Taller Than Our Souls - Jimmy Page And Robert Plant (Led Zeppelin)
-Giclee On Canvas Artist Proof Hand Embellished
40" x 30"
Our Shadows Taller Than Our Souls - Jimmy Page And Robert Plant (Led Zeppelin)
Giclee On Canvas
32" x 24"
Our Shadows Taller Than Our Souls - Jimmy Page And Robert Plant (Led Zeppelin)
Giclee On Canvas
24" x 18"
Living On a Lighted Stage - Rush
-Giclee On Canvas Artist Proof Hand Embellished
30" x 40"
Let Me Show You A Few Things - Justin Timberlake
-Giclee On Canvas Artist Proof Hand Embellished
45" x 30"
Kissin' The Sky - Jimi Hendrix
-Giclee On Canvas Artist Proof Hand Embellished
45" x 30"
King Nothing - Metallica Tribute
-Giclee On Canvas Artist Proof Hand Embellished
30" x 40"
I've Seen a Million Faces and I Rocked Them All - Bon Jovi
-Giclee On Canvas Artist Proof Hand Embellished
30" x 40"
I've Seen a Million Faces and I Rocked Them All - Bon Jovi
Giclee On Canvas
24" x 32"
The Artist
About Stickman
Trevor “Stickman” Stickel specializes in icon based, pop-realism portraits that capture legendary moments, powerful ideas, and raw emotion. His work is described as gritty-yet fresh, complex-yet simple. Graduating from a Jekyll and Hyde influence early in his career, in which he divided his time between family portraits and airbrush design work on helmets and Harleys, Stickman had the epiphany to combine both styles while reading “According to the Rolling Stones”. Two weeks later he finished his first canvas portrait of Mick Jagger, aptly titled “Please allow me to introduce myself”, which forever changed the direction of his career in the art world. THE MISSION The idea or "mission" behind Stickman’s artwork is to create an artistic tribute to the music and to the musicians that have had a tremendous impact on him and many others. Historically, these tributes would have been limited to photos/posters that adorned the bedroom walls of teenagers and dorm rooms throughout adolescence. Stickman aims to create a style of art that brings these iconic figures back into our lives, and in a manner that adults can display proudly in their homes. THE CONCEPT The concept is to take a realistic portrait and juxtapose it with a background that expresses the feelings and emotions of the subject. This method also allows Stickman to explore other disciplines of art – many of his backgrounds will include abstract, expressionism, impressionism, realism, pop art, street art, surrealism and quite often a combination of these. This is where he gets to enjoy the artistic side of these pieces, while paying additional homage to some of his favorite visual artists. THE HIDDEN MESSAGES AND SYMBOLS In addition to the art itself, Stickman also adds (and quite often hides) his trademarked Stickman symbol (stick figure with devil horns) and the statement "Devil Inside" to the painting. €¢ The Stickman symbol is derived from Stickman’s last name (Stickel) and a common phrase he hears from viewers, "I can't even draw a stick man". The horns represent rock and roll (his primary focus), which is generally regarded as the devil’s music, and references the duality of man (good vs. evil). €¢ The statement "Devil Inside" also references this Jekyll and Hyde type of duality. Stickman often feels there is a difference between Stickman the artist and Trevor Stickel the person. When focused on a subject and working on a piece, he often gets so involved in the subject he finds himself emulating them in the way he dresses and acts, similar to a method actor. €¢ The signature on the bottom right corner usually shows the Stickman symbol imitating the subject. THE TITLE The title of each piece is often overlooked but may very well be the most important piece of the puzzle. Stickman looks for a lyric that he believes personifies the subject or his feeling toward that subject and from there, begins to create an image and feeling that takes the viewer to that emotional state of mind. The titles are always a lyric from the subject's song but never the title of a song. If the viewer is a fan of the subject, they should almost hear the lyric or feel the emotion of the lyric when looking at the piece. Knowing the title completes the emotional connection to the painting and usually reveals a personal trait about the subject.